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Showing posts with label Rosie Gaines. Show all posts
Showing posts with label Rosie Gaines. Show all posts

31 December 2012

Musicology: An in-depth interview with Morris Mills



   Morris Mills will make a night of beautiful music this Friday.
  He will be celebrating the release of his second album Beautified” in the next month with a concert at 11 p.m. Jan. 4 at the Hard Rock Cafe, 63 W. Ontario St., Chicago. The cover is $10.   He will play mostly original material, but, he will perform two Prince songs: “I Could Never Take the Place of Your Man” and “Purple Rain”. The album will be available on internet outlets like Spotify, iTunes and Amazon.com, Mills said.
  “I am singer, I am a songwriter, I'm not a poet, but, I'm a poet in music,” he said. “I'm just a man that loves music.”
  His music spans all genres including rock, pop, soul and blues. He has been compared to artists like Maxwell, Lenny Kravitz, Curtis Mayfield, David Bowie and Prince.  He said that no matter how much people try to put him into a category, everything he does comes from an individual place.
  He has also worked on a cover of  The Smashing Pumpkins song "Disarm" with Matt Fink-- better known as Dr. Fink-- who played keyboards in Prince's band for more than 10 years. Rosie Gaines, a vocalist best known for her work with Prince on his 1991 Diamonds and Pearls album, has also expressed interest in recording one of his songs. In addition, Soulpatrol.com awarded his single “Beautified” best song of 2011 and Rawartists.org nominated him for music artist of the year 2012.
 “I'm going to do something different, I'm going to do something else,” Mills said. “They are going to say that I remind them of Prince, but, not that I sound like Prince.”

Courtesy of Morris Mills
Musical Beginnings
  Mills is a self-taught guitarist and pianist and his love of music goes back to when he was five years old. He was introduced to different types to music at a young age: His mother listened to blues, country and soul records and his dad liked pop, classical and rock music. He cited Elvis Presley, Tom Jones and The Jacksons as early influences, he said.
  “It wasn't white music. It wasn't black music. It was music,” he said.
  He walked around the house singing and performing, imitating The Stylistics, a 1970s soul group, with his siblings and he was writing songs by the time he was in grammar school. His mother was very supportive of her children's musical aspirations – she herself played the trombone in high school. She bought his older brother a guitar and allowed him to build a studio in the basement of their Broadview, Ill. home, where he and his brother recorded on four-track, and later, eight-track tapes.
  “(My brother) would wake me up in wee hours of the morning to sing the vocals on songs,” he said. “We would spend all day in the basement.”
  The first time Mills heard Prince was when his older brother, who was in college at the time, brought home the album “For You” in 1978. His brother told him to “listen to this guy that sounds like you.” Before that, he had been listening to singers like Stevie Wonder, Eddie Kendricks and Curtis Mayfield and imitating them in his recordings, but, from the moment he heard that album, Prince also became a major musical influence, Mills said.
  Prince and the Minneapolis sound were very popular by the time Mills went to Proviso East High School. He remembers there were many neighborhood bands forming that paid homage to the artist and the biggest showcase was the high school talent show. He got his band together and auditioned for the talent show his sophomore year.  They performed "D.M.S.R." (Dance Music Sex Romance), from Prince's "1999" album at the audition, but, were kicked out because of the song's suggestive lyrics. The experience was devastating, especially after he saw other local bands flourish after the talent show, he said.
   "I would watch the bands and I would fantasize about being onstage," Mills said.
  Not long after the audition, he moved to Lawton, Oklahoma to stay with a relative, because he was experiencing some family problems, and there honed his craft by performing at a high school on an local army base. By the time he came back to his old high school in Illinois for his senior year, he easily passed the talent show audition.

Courtesy of Morris Mills


Mississippi Bound
  After high school, he did some touring, however, his musical dreams were put on hold after he became a husband and father. Yet, he had never stopped writing and recording music and he was also sending out demos and performing sporadically, Mills said.
  While married, he was studying to be a minister and after he got divorced in the early 1990s, he accepted a job as an assistant minister in Jackson, Mississippi. However, the situation was not permanent, he said.
  “I kind of made it up in my mind that I wouldn't do that (ministry) again,” Mills said.
   The move to Mississippi turned out to be a life-changing event, but not right away. During the time he was working at the church, he was introduced to Vasti Jackson, who became a very important musical mentor.    However, after the ministry job ended, he did go back to Illinois where he worked in “corporate America” for about a year. Mills later returned to Mississippi to pursue his music at Jackson's behest, he said.
  Jackson, was well known for his writing work with artists Tyrone Davis, Johnnie Taylor and Buddy Guy. He took Mills under his wing, introducing him to blues music and local musicians. Mills also became involved in the neo-soul music and spoken word scenes in Jackson and surrounding cities. He added that Jackson was also instrumental in getting him away from relying heavily on computers while recording: one day Jackson put him in a room with a piano and tape recorder and told him to learn “Ooh, Baby, Baby” by Smokey Robinson and the Miracles.
  In addition, Mills was staying in a home he rented from Jackson that had its own recording studio. Jackson was working with blues artist Bobby Rush on an album there that ended up being nominated for a Grammy award.
   Mills later put his own band together and opened for artists like Brian McKnight and Jon B. when they did concerts in the Mississippi.
  “(Jackson) taught me how to be a real musician,” he said.

Courtesy of Morris Mills
The Road to Success
  Mills later moved back to Chicago, put a band together and started touring the city regularly.
He released his first album, "Love and Coffee" in 2005, which actually supposed to be the soundtrack for an independent movie he was making with William Pierce that was never completed. He has worked on other films, including My Phamily Barbeque and seven other movies. His most recently completed film "Ran$om Gains" starred Elise Neal, best known for her work on the TV comedy The Hughleys and Wood Harris, who starred as Avon Barksdale on HBO's The Wire
  Two songs from that album garnered him major attention: Radio Personality Terry Bello, Senior Executive Producer of the International Soul Summit, which takes place yearly in Atlanta, heard his music on MySpace.com and took an interest in him as an artist.He included Mills' song, "Steppin' Out Tonight," on the Heineken Soul Star Series, a compilation CD that included  well-known artists like Angie Stone, Rashaan Patterson and Anthony David, among others. The CD received international attention and helped really push his career, he said.
  He said that the song “Hello,” which was co-written and produced by Jackson from the album "Love and Coffee" also brought him attention around 2009. It caught the ear of Stephanie Levine, owner of Lovebrand Records, who got in contact with him and flew him out to New York for his first music video, directed by David Watson. She also heavily promoted the song on the East Coast and internationally. He worked with her company for two years.
   Interscope Records also digitally released “Beautified” as a single in 2011, he said.
  He said with his newest album, however, he wanted to move toward featuring a more rock feel, but, he was worried about what some fans of his first album might think.
  “I was afraid I was going to lose my soul base, but, at the same time, I wanted to be true to myself,” Mills said.
  He said some of the artists he would like to work with in the future include British Singer Lianne Las Havas, Coldplay, Bruno Mars, Taylor Swift and, of course, Prince. He is also looking forward to touring in Budapest in 2013 and expanding his fan base there. He has also had an offer to tour with Lee Fields and the Expressions. He also is working on another movie, "Soul," which should begin filming this summer.
  “What is me is that category you can't put me in,” he said. “That feel, that fun, that electricity.”

Check out Morris Mills' music at Reverbnation.com/morrismills and soundcloud.com/morris-mills.


Stay beautiful, Kristi

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Lead photo courtesy of Morris Mills.

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07 December 2012

$: An Interview with L'Quita Sanders

  This is Part III in a four-part series of interviews with the Beautiful Nights creative team:



  Meet the singing accountant behind Beautiful Nights.
  L'Quita Sanders, along with Marcus Scott, Bemaji Tillman and Alexis Wofford are part of the creative team for the Beautiful Nights Facebook page and parties, dedicated to Prince and associated acts.
  They started the page in October 2012 and it now has more than 800 members. They also threw their first party Nov. 24 at the Harold Washington Cultural Center in Chicago. It was hosted by The Twinz, Maya and Nandy McClean, singers/dancers/choreographers who have worked extensively with Prince and featured DJ Maurice Ice Culpepper.
  The turnout was between 150 to 250 people, Wofford said.
  Sanders has worked in accounting for 14 years and is currently studying to take the Certified Public Accounting (CPA) exam. She is also an original member of Tillman's band House of Twang and has also worked on songwriting and her own solo recording for last several years.
  “I was an accountant by day and a singer by night,” she said. “I'm not as boring as most accountants.”
  Sanders said she has been a Prince fan since her mom took her to the movies to see Purple Rain in 1984. But, her earliest memories of Prince are of her mother and father singing the song Controversy, which was released three years earlier.
  However, she did not get a chance to see Prince live until the Musicology tour in 2004.
  “(My mother) wouldn't take me to his concerts. She said he was too wild,” she said.
  Sanders recently did a telephone interview with “Dyes Got the Answers 2 Ur ?s,” where she discussed her favorite parts of the Beautiful Nights experience, her need for perfection and making the group's parties “international”:


Courtesy of  L'Quita Sanders
?: Tell me a little bit about yourself and your background? How did you become involved with Beautiful Nights?
  LS: I have been a member of House of Twang for 10 years, in the very first band...and I have been and out of the studio recording solo projects in between that time. I have always been helping out (Tillman) with songwriting... (Tillman) said 'I want you to come and help (Beautiful Nights) with some numbers.' He said 'Oh my God, you're great with numbers, you're a keeper.' I also negotiate the contracts...
  ?: What area of expertise do you bring to Beautiful Nights?
LS: Besides numbers, I bring the gift of negotiating and writing proposals. I am what they call the brains behind the business. I give the yes or no...
  ?: What has been your favorite part of this experience so far?
LS: I am loving reaching out to the different artists. Marcus has the gift of gab. Marcus will initiate the conversation and I will be the one to seal the deal, I love that. Meeting new people is exciting also.


Courtesy of L'Quita Sanders

  ?: What would you improve about the next party? Why?
  LS: We have to be more organized, the first event, while I was a little chaotic, came off pretty well. We want to make sure the artists are okay. We want to make sure the party goers are okay. We want to make sure everyone is taken care of. We don't want any room for error. I feel like Morris Day: we want perfection!
  ?: Which protegee would you like see host the next Beautiful Nights party?
  LS: Who don't I want to see, that's the better question. I would say out of all the protegees I love Rosie Gaines...She is definitely my favorite. I can hit all her notes. I love being able to sing along with people. When you can sing along and hit the notes you can say, "yeah, she's the one."
  ?: What has been some of the fan reaction so to the Beautiful Nights so far? What has been some of the criticism?
  LS: The only criticism we're receiving about the first party was that another event (ran into the Beautiful Nights party). We want to make sure there are no other events before ours...it takes a while to set up Beautiful Nights. I'm grateful for the people who stuck it out with us. That shows that not only does Prince have true fans, we do too.
  I didn't see this page spiraling like it has. Rosie Gaines is on our page. Jill Jones (is on the page). We're giving our fans the chance to connect with the protegees and I am sure they are appreciating it just as much as we are.
  I was on the phone with the ladies from Australia getting details for a Beautiful Nights Australia. We might have to drop the Beautiful Nights Chicago, because, we're international now!
  ?: What is the most unique item of Prince memorabilia you own or have owned in the past?
LS: I actually attended my first Prince concert, I think it was 2004, It was the Musicology Tour...I ended up going and I got one of the Musicology shirts and I have that, as well as my tour book...
  ?: What would you like to happen with Beautiful Nights in the next year?
LS: I ultimately would love to have Prince attend one of our Beautiful Nights (parties). We would like to have all the protegees come through with Prince being the icing on the cake.
  ?: What is your personal message for the Beautiful Nights fans?
LS: Let's continue to lift up the purple one and let's continue to unite. I think it's great that he's been able to bring us together from around the world to appreciate the music he's given us.

Stay beautiful, Kristi

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Lead photo courtesy of L'Quita Sanders

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