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Showing posts with label Marcus Scott. Show all posts
Showing posts with label Marcus Scott. Show all posts

23 April 2016

Forever in My Life: The Final Post


At the Chanhassen Inn before the Piano & a Microphone Gala at Paisley Park

Prince Rogers Nelson changed my life.
Although I did not become a fan until I was a teenager, his music had always been in the background of my everyday life: I heard his music on the radio, Purple Rain was often on TV and I used to go through my mother’s record collection and look at her 12” Purple Rain single on vinyl (that was actually purple and I later had it made into a purse). But, it wasn’t until my best friend, Kamika Wallace, bought the Purple Rain Soundtrack from Columbia House CD club (when you could get 12 CDs for $0.01). We played the shit out of that CD, especially “The Beautiful Ones,” “Computer Blue”,” Darling Nikki” and, of course, “Purple Rain.” But, I went a step further and bought The Hits/The B-Sides and that changed everything.The first full-length album that I bought after that was Prince (1979) and from there I was hooked. Little did I know that Prince's songs would take me on an 18-year musical odyssey that suddenly came to a halt when he died on April 21.


The Stats
Fan since: 1998
Favorite Song: Moonbeam Levels
Favorite Album: The Gold Experience
Least Favorite Song: Sometimes it Snows in April. I always thought that song was super depressing…now I know why.
Least Favorite Album: Batman Soundtrack…I tried though.
Favorite Lyric: “Damned if I don’t hit that, wait right there I’ll be right back.”
What I’ll miss the most: no more live shows.

The Beginning
As corny as it might sound, listening to Prince’s music made me feel like it was okay to be different. I’ve always been a person who marched to my own drummer and was always super juiced about stuff that most people found boring. My interests ran the gamut from classic movies (including silent ones), old TV sitcoms (shout out to "Bosom Buddies" and "The Facts of Life") and old show business biographies. I guess I was trying really hard to stand out, which is difficult when you attend a performing arts high school, but I did. Yet, Prince’s music spoke to me; it connected with something deep down in my soul.  His lyrics communicated my individuality to others in a way that I could not. By announcing myself a Prince aficionado (not a fan, mind you, as I researched The Purple One and his music like I was trying to earn a degree), I let the world know that I was daring not to downgrade myself to the musical tastes of my peers. You would never hear Jennifer Lopez, Britney Spears, The Backstreet Boys, Sisqo, DMX or anyone of that ilk in my Discman.
This might seem like a no brainer now, but I became a Prince fan when I was 15, in 1998, and Prince was not really considered universally cool at that time. Don’t get me wrong, people respected his talent and musicianship, but I think there were many who felt his time had passed. Besides, a lot of people felt it was hard to take a man seriously who legally changed his name to an unpronounceable symbol. But, what did they know? I was fiercely loyal to this man who had touched me—to the point of driving my friends and family crazy. I did find one kindred spirit at school, Donald, whom I had known in middle school. He was kind of a loner, but he genuinely liked Prince just as much as I did. I remember he gave me a birthday card where he wrote out the lyrics to Nothing Compares 2 U and he even gave me his mom’s old Controversy poster, (the one where Prince is in the shower in his bikini underwear with a crucifix in the background) which I still have to this day. I tried to integrate Prince’s music into every aspect of my life: I did a presentation on The Time in my music survey class, I tried desperately to get someone to decorate my high school graduation  gown so it said “Lovesexy” down the right sleeve (and failed) and I used Prince lyrics as my high school yearbook quote. Later, there were times when I had to give Prince’s music a “break” and I gravitated toward other artists, especially during my first years of college, but Prince was always lurking in the background.

The Memories
While I was catching the bus to and from the University of Washington Thursday, I could only smile to myself as random memories kept popping into my head: I laughed when I thought about my friend who informed me that I blew out his car speakers when he let me play the Controversy album when we went out; I remembered how sad I was when my aunt and I went to visit Paisley Park during Prince: A Celebration in 2000 and we could not get inside because all the day tickets were sold out (and I almost started crying); I cringed when I remembered how I overdrew my bank account to buy my friend and I tickets to an aftershow that Prince did in Seattle in 2011…and ended up getting fired from my job two weeks later. I remember that I flew from Illinois to Minneapolis for the so-called "Purple Olympics" in July 2007, where Prince played three concerts in one day. Before I left, I told my editor at the Daily Herald, Mike Smith, that I was going and he spent a few minutes with me brainstorming on a way for me to cover the concert for the paper. Of course, we could not come up with a legit reason for a Suburban Chicago paper to cover a Prince concert in Minnesota...but we tried.

The Influences
Prince changed the way I listened to music; once I became a Prince fan, I became an album listener. When I started liking him, I was buying most of his catalogue at used music store--on tape mind you--and I was able to get albums for very cheap. On top of that, the bus ride to school was an hour and nobody was trying to sit on MUNI fast forwarding and rewinding a tape, so I just ended up listing to entire albums. Granted, there were still some songs that I skipped (sorry "Sometimes it Snows in April" and "When We’re Dancing Close and Slow" fans), but I listened to the albums all the way through at least once. From then on, I decided that if I was going to buy any album, especially those expensive CDs, there better be some quality music on at least 80 percent of the album.
Prince also influenced the type of music I listened to: I became more partial to singer/songwriter/producers. I also started to lean more toward R&B that had some rock elements to it; I became avid fans of Teena Marie, Babyface/The Deele, Klymaxx/Bernadette Cooper, DeBarge (who don’t get enough credit as talented songwriters), Switch (same as the former), Jesse Johnson and more recently Billy Joel, Duran Duran and Barry Manilow. I sought the music of powerhouse singers and entertainers like Barbra Streisand, Donna Summer and Michael Jackson/The Jacksons/Jermaine Jackson. This is not to mention all the associated artists albums and bootlegs that I purchased/borrowed/downloaded over the years. I would go as far to say that Prince made me enthusiastic about listening to music in general; and I didn’t just listen to it, I immersed myself in it, analyzed it, digested it and applied it to every emotional aspect of my life. The amount of song lyrics I have stored in my head today scares even me.






Stage at 2013 Billboard Music Awards



The Blog
 I like to say that Marcus Scott brought me out of retirement to start this blog. When he called me in 2012, I had not written anything professionally in more than three years and I was working in the hospitality industry. The Great Recession had shot down my dreams of being an entertainment reporter and I was still a little bitter that my life had not turned out the way I wanted. Marcus said he was starting a new Prince group, Beautiful Nights, that would have a presence on Facebook and throw Prince parties in the Chicago area. He wanted it to have an accompanying blog and he wanted me to be the exclusive writer. He told me that I had to do this and he thought of me after coming across some newspaper clips I had randomly mailed him a few years before; to sweeten the deal, he told me that he would even be able to hook me up with an interview with The Twinz (Maya and Nandy McClean, Prince’s former backup singers/dancers). I figured I did not have anything to lose so I said yes.  Besides, how do you turn down someone who has that much faith in you? I had limited knowledge about blogging and digital media, but I just had to fake it until I could make it.
My first interview actually ended up being with him, talking about his past as a Prince impersonator and the Beautiful Nights group. The page views came in a trickle at first—even the later interview with The Twinz was not really widely read. Things picked up when I posted a video interview with Seattle-based artist Troy Gua (who created Le Petit Prince), but it was not until I started sharing my interviews on Prince.org (shout out) that I started getting a lot more traffic. Things only picked up from there, with the popular interviews garnering several thousand page views. I got to the chance to interview (and be interviewed by) the infamous C.J. and she also featured me in her Minneapolis Star Tribune column twice. I remember the thrill I felt when talking to Susannah Melvoin on the telephone and her suggesting that we get together for lunch to do the interview; that was before she realized I lived in Seattle and she lived in California. I also enjoyed doing simpler stories where I talked to avid fans: like the four-part "My Love is Forever" series, where I collected anecdotes from people who had been Prince fans since he released his first album in 1978; and talking to Jesse Jenkins, a young fan who was handpicked by Prince to premiere the single “Live Out Loud” and was later personally invited by Prince to attend his SXSW performance and meet him after the show. I remember St. Paul Peterson and Jill Jones being hilarious and Cat Glover being so open and full of energy. My favorite interview, however, was the one I did with T.C. Ellis and getting to hear about the High School for Recording Arts, which he founded in St. Paul. Another thing that was awe inspiring was the fact that there were other Prince fans who wanted me to succeed and volunteered to help me. I would be remiss if I did not mention-- in addition to Marcus-- Tamiko Umoren, Duane Tudahl, Morris Mills and Erica Thompson—who all helped me procure interviews with people who once worked with Prince.
I stopped writing on this blog about a year and a half ago when I went back to school.  It was not because I didn’t love doing it anymore, but trying to procure, schedule and do the interviews (as well as transcribing the audio and actually writing the stories) just became too time consuming. In fact,  the last interview I posted with Howard Bloom in 2014 took me more than a month to complete. In the interim I have received a second Bachelor’s Degree and I am now working on a Master’s Degree. But, I regularly check the stats on the page, clicking through old stories and wondering what might have been if I had been able to continue on. When Prince passed away, however, I finally realized how pointless it is to reflect on what might have been when I could clearly see what I had actually accomplished: I convinced my friend, Elke Hautala, to take a road trip to Boise, ID to do a video interview with Gayle Chapman, which in turn led to us organizing a concert for her in Seattle six months later. I also got to write review when Prince's Live Out Loud Tour with 3rd Eye Girl came to Seattle and I was in the house at the MGM Grand in Las Vegas when he was honored at the Billboard Music Awards. Furthermore, I was told by a good source that Prince actually read one of the stories on my blog. To think that this man, whose poster I use to stare at in my bedroom as a teenager and dream about meeting one day, was actually aware of something that I had done was incredible. I’m not sure if it is true or not, but it’s a nice thought. I have been coming back to the Web site regularly the past couple of days, as I was preparing this story. It went from 75 page views on Wednesday to more than 4,400 views Thursday. It is interesting to see that people are actually reading it again, but I would trade all those views if it would bring Prince back.




 The Music
It’s funny how certain songs can take you back to a specific moment in time: Every time I hear "Moonbeam Levels," I’m back in my old car in Sonora, CA and still a newspaper reporter driving from the office to an interview for some story or other (like when I covered the theatrical group at a state prison in Jamestown, CA or was it that thrilling story I wrote about the many uses for zucchini?); when I hear “The Most Beautiful Girl in the World,” I think about the morning after I slept with this guy I used to really like and he sang this song to me—and in case you were wondering, the falsetto was on point; the entire Planet Earth album transports me right back to the Western Suburbs of Chicago, particularly St. Charles, IL. It was my first time away from home and I had just moved there to do an internship at the now defunct Kane County Bureau of the Daily Herald. I remember driving to the Super Target near the office when that bad boy opened at 7 a.m., so I could be one of the first people to have the album when it was released.
I still remember when Kamika and I went to massive Amoeba Records in San Francisco on a Prince album dig and I found The Black Album on tape. We were still rocking our Walkmans then, but top of the line ones that actually had rewind buttons on them. We had this thing where we would each listen to a Prince album on the way home and report back to each other what the jams were on it. She picked the Black Album and, to this day, every time I listen to the “Bob George,” I can picture her on the bus, nodding her head, and pausing the tape to tell me after the song was over that this joint was the “new Erotic City” (what she really meant was that the song was hella funky). She turned me on to some gems: “Bambi,” “Eye Hate U” and she even tried to get me to like “Into the Light” from the often-maligned Chaos and Disorder album (but it took another ten or so years for that to happen). When I hear “Betcha By Golly Wow” or “Purple Rain,” I remember that we used to carry around an analog tape recorder and we used to make copies of us singing Prince songs with her throwing in spontaneous ad-libs—the best being on “Purple Rain” where she said “Never wanted to be your weekend lover, I only wanted to be your lover during the week.” When I hear “Sexy MF,” I remember the time one of my relatives let me play my Hits Volume II CD while they were setting up at a family barbecue and when the chorus of the song came on my cousin got incensed and demanded that I turn it off because of the cursing (despite the fact that the song "Head" had just finished playing not long before and no one said a word). Lastly, I remember that the very first CD I played in the studio apartment I live in now was LotusFlow3r and how proud I felt at that moment that I finally had my own place in Downtown Seattle.





The Gifts

             Over the years I have received some cherished Prince-related gifts from friends:
The first one is a framed charcoal drawing of Prince that a friend of mine drew for me andwas           a gift on my 29th birthday. What really made it so cool was that he gave it to me right before               we went to go see a Prince concert at the Tacoma Dome in December 2011.
      
The summer I did my internship at the Daily Herald in 2007 was the same year that the Chicago Bears went to the Super Bowl and Prince did the halftime show. The paper, of course, sent writers and photographers down to Miami. My going away present at the end of my stint there was two framed photographs that Rick, the bureau photo editor, had taken himself during the halftime show. One was Prince by himself and the other was him with The Twinz.
  
My grandmother's late second husband, Errol, worked as a banquet waiter in some of San Francisco's best hotels for many years. In the early 1990s, when he was working at the Clift Hotel, Prince came to town on a tour. When I was in high school (around 1998), at the height of my Prince madness, he gave me this very small jar of honey that had a black label with gold letters that said: “Prince, Scandalous Sex Suite, featuring Kim Basinger.” Errol later told me that someone working with Prince had given it to him. He had kept it on his dresser all that time until he gave it to me. I had it on my dresser from that moment all the way through college, when I left home to accept the internship. I left that jar of honey behind and have not seen it since. In my Mother’s haste to clean out my old room-- so my younger brother could move in-- a LOT of things came up missing and that was one of them. When I came home three months later to get my things, I could not find it. I asked her about it and she acted like she had no clue what I was talking about. I eventually forgave her and moved on, but, I am getting a small twinge of sadness just writing about it now.
    
When I was in high school, my friend and classmate, Salvador Santana gave me a purple hand towel emblazoned with gold symbols; he said that his father, Carlos, had gotten it directly from Prince. I loved this towel and it has hung on the wall in every apartment I have lived in since then. I just recently bought a frame for it, as I did not think it was getting the reverence it deserved.



Marcus Scott and I at a Morris Day and the Time concert


The Friends
There are so many people I would not have met, but for being Prince fan. There are way too many to name, but these are some of the most important people:

  • I met Natasha White-Smallwood in 1999, when I was 17 years old and we were both working at Old Navy in San Francisco. She saw me in the break room one afternoon reading Dance Music Sex Romance: The First Decade by Per Nilsen. She rushed over to me and wanted to know where I bought the book. We started talking about Prince and the rest is history; she has become one of my best friends over the last 17 years and the first person I called when I found out about Prince.
  • I met Marcus Scott at a party thrown by Mone Baker in 2007 in Chicago. This is when I was living in Aurora, IL and working at the Daily Herald. I got invited to the party because a mutual friend who was living in California was connected to the Chicago Prince Crew that attended the now-defunct monthly Prince parties that were held at Club Berlin. I stayed in touch with Marcus over the years—on and off—which inevitably lead up to him pitching the blog idea to me. Mone is the one who actually invited me to move up to Seattle from San Francisco and I stayed with her until I got on my feet. Needless to say, that move changed the course of my life. 
  • I also got to spend some casual time with some of the people I interviewed and talk to them about topics other than their work with Prince. I spent an entire weekend with Gayle Chapman, when she came to Seattle for the concert Elke and I organized for her. I also got to be photographed by the fabulous Steve Parke when I took a trip to Baltimore. They were both very wonderful experiences. 



The concerts
I saw Prince in concert 17 times-- the first time at the University of Minnesota, Minneapolis when I was 17 years old. We just got barely got there, as the concert tickets went on sale in Central Time and my stupid alarm did not go off, resulting me waking up 30 minutes late. I got my aunt and I two tickets in the very last row (I used to always say that if we had been any further back we would have been outside). But, we were there. My favorite concert experience took place when I made the trek to the Rio in Las Vegas when Prince was doing the 3121 residency at the hotel. I went four times, the first time with my ex-boyfriend, whom I had to beg to go with me for my birthday; but, the second time I went alone and I since it was a GA show, I got there six hours early to make sure I got a good spot.
I ended up right in front of the stage! I was very enthusiastic and of course I knew the words to all the songs. Let me just say that there was no moment more thrilling than when, during the show, Prince reached down and grabbed both my hands, sort of dancing with me from the stage. I’m pretty sure I momentarily lost all sense of reason because the next thing I knew I had climbed onstage. Luckily, he did not have security to come tackle me or have me ejected from the venue, so I guess it was okay; and for two or three magical minutes it was just me and Prince dancing together onstage. I’m sure it was a curious sight—me at 6’2” and Prince nearly a foot shorter--doing the Bump. But, being in that close proximity to Prince is surely a moment that I will never forget.
Immediately after that concert he did an aftershow at the 3121 Jazz Cuisine, a fine dining restaurant that was part of the 3121 experience. Since it was January, pretty much everyone was able to get into the “Jazz Room” an intimate part of the restaurant that only seated about 50 people. I remember that while his band played a set, he came out to the seated area and handed out a Jehovah’s Witness publication (I think it may have been Awake! Magazine, but I’m not sure). It was so interesting to see Prince proselytizing (or witnessing) at this own show. Then about an hour later, he was fronting the band and played a funky set for us, right there in that small room. It was a surreal experience and, honestly, I never told anyone about it, because I was not sure if people would believe me. I went to another concert the very next night and I was in the front again, but I stood at a different spot near the stage. Yet, at one point during the show, he came over to where I was, playing the guitar, smiled and gave me “the nod.” I remember being so happy that he actually remembered me. I saw at least ten more concerts after that, but none of them compared to the feelings I had from those two that weekend.



The Last Time
I did get to see Prince one last time at the Piano & a Microphone Gala Event at Paisley Park in January. I almost didn’t go, as it was only announced a few weeks beforehand and I had just plunked down an ungodly sum of money on a trip to New Orleans and a Platinum Ticket for a meet and greet with Barry Manilow and front row seats at his show. But, at the end of last year, I had decided that going to Paisley Park was on my bucket list and, after that debacle in 2000, I was definitely going to make it happen in 2016. When the show was announced, I inquired to see if my co-worker would switch her days off with me and she said she would, no problem. I booked the hotel and the flight, but a week later, I got cold feet, worried that I was spending way too much money, and cancelled them. However, when a video released online showing how they were remodeling Paisley Park for the big event, I had a charge of heart, fearful that I would be missing something special. So, I rebooked the hotel and flight (thank God for Southwest Airlines) and, when the tickets went on sale I was able to get one with ease, which as my fellow die-hard Prince fans know was not always the case, so I knew this trip was meant to be.
The trip to Minnesota was a bit stressful, but once I got there, I knew I made the right decision. Even up to that night I was still a little anxious, even more so with the confusion trying to get into Paisley Park for the second show at 10 p.m. Once I got inside, most of the people in VIP had already been there for the first show, so they had claimed their spots. The floor immediately in front of the stage was strewn with pillows, but there was no open spot for me to sit down. Finally, I just decided that I would sit on the floor. There was kind British gentleman sitting on a pillow next to the spot I had chosen and moved over a bit to give me room, inviting me to sit down.
I sat in front of the edge of stage right, but since Prince was playing a grand piano and not moving about the stage, it was hard to see him unless I was standing up. But, it didn’t matter. It was only important that I was able to hear him. It was wonderful to hear him play “The Ladder,” the beautifully spiritual ballad that I never thought I would hear live. I just took advantage of the moment, sitting in the dark on the floor—by this time I had a pillow—with no lighting except from the back screen and a few lit candles on the stage. I just closed my eyes and let myself be in the moment, quietly singing the lyrics from a long-ago Prince favorite to myself. Despite the fact that I was at a concert, I felt myself transported back in time, laying in my bed in the dark, listening to the Around the World in a Day album with one lit candle. It was surreal. But, Prince also had a way of mixing it up, so he alternately had us stand up while he jammed on "Kiss" and "I Wanna Be Your Lover." Granted, I did miss some of the most talked-about moments of the evening (like when he became overcome with emotion at one point in the evening and briefly left the stage) because of where I was sitting. But, I was just so happy to be in the house, after being turned away years earlier, that it didn’t matter. The night flew by so fast and I was a bit disappointed that he didn’t do an encore, but once I got back to the hotel, at nearly 2 a.m., I remembered that I was getting old and I had to fly back to Seattle the following day and work the graveyard shift once I got back home. So, although I did want more, I was grateful that Prince made it possible for me to get a full night’s sleep. I woke up glowing and got excited at that the thought that he might bring this tour on the road so I could see it again. There was no way I could have known that was the last time I was ever going to see him. I can only hope that one day I will inspire others as much as Prince inspired me.


Stay Beautiful, always, Kristi


06 November 2013

New Power Soul: Dru Chen Talks 2 Beautiful Nights


  



  Dru Chen is teaming up with Beautiful Nights USA and Purple Funk Australia to bring his old-school inspired soulful sounds to a new audience.    
  Chen was recently been added to the lineup of "The Ultim8 Prince Party," an event hosted by Beautiful Nights USA and Purple Funk Australia at 9 p.m. Nov. 22, Room 680, Melbourne, Australia. The night will also be the official CD release party for Heroine December's new album Target Practice-- a band headed by Maya and Nandy McClean, better known as The Twinz. He will serve as the night's opening act and will also be part of the headliners' backing band during their set.
    He has forged a successful career without the backing of a record label. He released his EP Intentions in February and the music video for his first single "You Bring Out the Best in Me," posted on YouTube eight months ago has had more than 19,000 page views. He has also been invited to play at music festivals around the world including Mosaic Music Festival in Singapore. He spent a significant amount of time this year touring Australia and Southeast Asia and will continue playing dates through the end of 2013.
  Chen split his time growing up between Singapore and Australia, which, he said, greatly influenced his musical style. He is a classically-trained musician, plays several instruments (including violin, piano, guitar, bass and drums) and has a degree in music technology, according to his Web site druchen.net. He discovered  R&B, funk and soul music as teen, which, he said, had a tremendous impact on his musical direction.
  K Nicola Dyes did an interview with Chen recently, via e-mail, where he discussed his musical influences, how he became involved with "The Ultim8 Prince Party" and his approach to creating music:

   
?: How would you say that discovering the R&B, funk and soul genres as a teen changed your musical direction?
  DC: R&B stands for Rhythm and Blues. It gave me "rhythm," which taught me how to be funky and in the pocket. It gave me "blues," which is the feeling in the "blue notes," that gave birth to soul.
  I think every musician should give R&B, funk and soul (music) a try. There's just so much music and culture that came from (those) traditions and (that) lineage: from early Motown (artists) and The Parliaments (Doo Wop) to Sly & The Family Stone and Funkadelic (Psychadelic Soul) to Prince and The Revolution and Michael Jackson (Pop/Rock/Soul) to D'Angelo, (Erykah) Badu, (Raphael) Saadiq, J Dilla and The Soulquarians (Neo-Soul/Hip Hop) and now all the global, soulful cats today like DaM-Funk, Miguel and Frank Ocean who keep pushing and stretching things in all different directions.
  I hope I can, in some way, contribute to this tradition, coming at it from an Asian-Australian background.
  ?: You have managed to make quite an impact without being signed to a record label. What has the been the easiest part of navigating your musical career? The most difficult?
  DC: The easiest part is having the passion and background to help me do what I do. I studied music in school and learned the basic skills to analyze music. From there I studied the "Yodas," all the people I mentioned above, the people who have paved the way and gave me the inspiration to fly my inner funky freak flag.
  I also have friends in the music industry who mentor and guide me in an informal way, whom I can trust, I can be truthful with and who also confide in me. It's a tricky business, but, I am very fortunate to have made some very good friends in it.
  The most difficult part is keeping control, (being) level headed and not letting emotions and impulses influence (my) decisions. Everything takes 10 times longer than you think, which can be a good thing. (It) gives you time to grow as an artist and ruminate on the decisions you have to make.
  ?: What is your approach to songwriting? What inspires you?
  DC: A feeling. A vibe. I think my songwriting gets separated into two categories: "Confessional" and "Muso." "Confessional" is pretty self explanatory. "Trainwrecks" from Intentions EP falls into this category. I have a couple of new songs in this vein, written about my journey in music and in life. 
  "Muso," as I call it, is Australian slang for a "musician's musician." I'll get inspired by a particular musical phrase or production idea by another artist and I'll transform that until I come up with my own thing. A lot of D'Angelo's "Voodoo" was made that way--like the groove from the ending of Prince's "New Position" becoming the basis for the drum pattern on D'Angelo's "Africa."
  My song (and the upcoming single) "Turnaround" from the Intentions EP falls into this "Muso" category. I was listening to some "sloppy" Sly & The Family Stone while looping a J Dilla-esque beat (and) I came up with my own cascading vocal harmony canon that turns around over and over. 
  ?: How did you become involved with "The Ultim8 Prince Party" in Melbourne?
  DC: Marcus Scott, (of Beautiful Nights USA), saw me perform at my CD launch in Melbourne, Australia (earlier this year). We became fast friends and shared a passion for Prince and all things Minneapolis. He asked me if I wanted to be a part of the event. I didn't need to think twice!
  ?: What are you most looking forward to at the party?
  DC: Meeting everybody and making new friends! There's such a wonderful music community here, there and everywhere. For me, it's all about making the connections and getting to know people. I'm excited about working with Maya and Nandy from Heroine December. They're so lovely and down to earth. 







  ?: How did splitting your time between Australia and Singapore growing up influence your life and career?
  DC: I lived in Singapore from the ages of 7 to 16. I started playing in cafes and bars at 14. Singapore is so small, with a beautifully supportive and tight music scene, but, I needed to break out and explore the world a bit more. 
  I moved to Brisbane in Australia at 17 to pursue a Bachelor's Degree in Music Technology. The sound and vibe of Australia was so different from Singapore. It took a while to adjust (and) naturally, influences from other local bands began to creep into my music. I was particularly inspired by the DIY (do-it-yourself) work ethic and musicality of a local songwriter/producer Yeo (yeo-yeo.com).
  ?: What was the process for putting together your Intentions EP? What inspired it? What do you like about it? In hindsight, is there anything you would have done differently?
  DC: The Intentions EP was created over the period of time when I moved from Brisbane, Queensland, a smaller city to Melbourne, Victoria, a bigger city. A change of scene always inspires me. I guess that's why I crave traveling and touring so much. 
  I created the entire EP largely by myself, producing, arranging, engineering, and mixing everything. This DIY way of making music was inspired by musicians like Yeo, Stevie Wonder and Prince. These musicians have such a clear vision of what the final product will be like. It takes a long time for that to develop properly though and I feel I'm just starting to realize my sound, my vision, my brand, my feel. 
  Collaboration is healthy and, in hindsight, I would have taken more time to bring in more outside collaborators to help me flesh out my ideas. Having said that, I did have some help, primarily on the first single, "You Bring Out The Best In Me" from Graeme Pogson (drummer from legendary local funk act The Bamboos), Josh Bridges (bassist and long time friend, from Mustered Courage) and some wonderful horn players. That definitely brought out the funky vibe of the track.



  ?: You have mentioned artists such as Stevie Wonder, Prince and D'Angelo, among many others, as musical influences. What is it about their music that speaks to you?
  DC: Stevie Wonder (is) the life affirming, quintessential funk and soul singer-songwriter. Stevie's grooves absolutely breathe. (He is) the most natural player. My favorite songs of his would be "Mary Wants To Be A Superwoman" and "Don't You Worry 'Bout A Thing."
  Prince: (He is) thought provoking with his vision, scope, visuals, stage shows, bombast, precision and skill. Prince just brought it so far left, yet, he still manages to appeal to so many. (He is) the true chameleon. My favorite album of his is "Sign O' The Times."
  D'Angelo: Very, very well crafted and curated discography so far. There's not a single song (of his) I don't like. D'Angelo is a perfectionist to the 100,000th degree. I think he proves that if you take your time and concentrate on the vibe, the results will be far more rewarding. Music is spiritual and so much more than words and notes on a page. D'Angelo's music is testament to that. 
  ?: What other genres of music do you play and enjoy listening to? Who are your favorite artists in those genres?
  DC: Surprisingly, I like folk and acoustic singer-songwriter stuff, too, mostly from the 1960s and 1970s: like Simon & Garfunkel, James Taylor, Joni Mitchell and Van Morrison. I like the idiosyncrasies of their writing styles and and how personal the music is. 
  I also have a soft --or heavy--spot for Metal. I grew up as a guitarist and I learned through Metallica and Megadeth. The craftsmanship in their songwriting, particularly the melodies, is so great.
  To Paraphrase Miles Davis, "There are only two kinds of music: good and bad." 
  ?: Which artists would you like to collaborate with in the future?
  DC: I would love to work more with Maya and Nandy. I've got a few friends over in L.A. I'd love to work with as well. Shemika Secrest, whom I met on tour in the Philippines, has a truly amazing voice. Kimbra is also a new friend and I'd love to catch up with her. What a funky, talented lady!
  ?: What's in store for your fans as you continue to tour through the end of the year?
  DC: We've been working hard on our music video for "Turnaround," which will be the 2nd single from the Intentions EP. We're going to play some great shows, including a Funk & Soul Christmas Party on Dec. 12 at Ding Dong Lounge in Melbourne.
  ?: Do you have any plans to tour the United States in the near future?
  DC: I am planning to go to L.A. and a few other places in 2014 (and) would love to play some shows.
  ?: What do you hope to achieve in the next five years?
  DC: On the live front, I hope to play more festivals. I feel our funky uplifting sound suits a festival audience. In the studio, I want to really hone in on MY sound. Everything is a learning process and I have learned to take it in my stride and enjoy the journey.
  In the end, I just want to keep making good music and being honest with myself, my fans and fellow musicians. I am in it for the long run, so, I just want to grow and keep working at it. 
  ?: What is your message for all of your fans and people who may now be discovering you in regards to your performance at "The Ultim8 Prince Party" ?
  DC: Thank you for your support. Y'all are funky all the way!

Check out Dru's videos:

"Turnaround"



"You Bring Out the Best in Me"






To purchase tickets for "The Ultim8 Prince Party" visit www.purplefunkaustralia.com.

Stay Beautiful, Kristi

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All photos courtesy of Dru Chen except where indicated.

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Check out the following Web sites for more information:
Official Web site: http://druchen.net



06 July 2013

It's Gonna Be a Beautiful Night: Zina Escovedo To Host Party in Oakland

  


  Zina Escovedo wants to give Prince fans a night to remember.
  Escovedo, of E Music Party (emusicparty.com), will host “It's Gonna Be a Beautiful Night,” an event featuring the music and videos of Prince and associated artists, at 8 p.m., July 14, Club Era, 19 Grand Ave., Oakland. Tickets are $20 and can be purchased in advance. If there are tickets remaining, they will be sold at the door for $25. This is an 21-and-over event.
  She said that the bonuses for guests who already purchased VIP tickets will be a surprise. As of this writing, VIP tickets are sold out.
  DJ Alex Mejia will spin the night's music and Marcus Scott, of Beautiful Nights, will be in attendance. Johnny Viramontes, of Boogie Lights Entertainment will provide special lighting and there will also be surprise performances. Memorabilia from several former members of Prince's band will be on display throughout the night.
  “I have decided to try to bring people a party where they (can) hopefully experience what it felt like to 'feel' Prince's music...” she said. “So, they can get a taste of what it was like.”
  Escovedo comes from a family of renowned musicians: her father Pete Escovedo, leads the band Azteca and worked with artists such as Carlos Santana, Tito Puente and Herbie Hancock; her oldest brother, Peter Michael Escovedo, was the musical director for "The Wayne Brady Show," and has worked with Luther Vandross, Mariah Carey and Lionel Richie; her brother, Juan Escovedo, heads his own orchestra and has worked with Earth, Wind & Fire, Barry White and Hall and Oates  and her sister, Sheila E., collaborated with Prince as a solo artist and later as a member of his band, has worked with George Duke, Ringo Starr and Beyonce, led her own band, C.O.E.D., and is still an in-demand session player. They also all perform together as The E Family Orchestra.
  Escovedo hinted that her event could possibly turn into an after party for her father who will be celebrating his 78th birthday (on July 13) by playing a series of concerts, July 12-14 at Yoshi's in Oakland. She said she chose that weekend to have the party, because, her entire family will be in town. She added that this could be the type of bash people talk about for the rest of the year.
  “The Escovedos can party!” she said.
 
ZIna and Pete Escovedo


  This will be the first event Escovedo will host through her new business venture, E Music Party. She said she always wanted to have her own company and looks forward to bringing people of different backgrounds together through music.
  The idea for the party was hatched after she ran into Mejia at a bank about four months ago and they struck up a conversation about having a Prince-themed party. During the course of that discussion the two decided to collaborate on the event. They had several meetings, because, she is “particular about details” and wanted to make sure everything was just right before moving forward. She later brought in Viramontes to assist in further enhancing the party's atmosphere with his lighting and contacted artists associated with Prince to see who would be willing to share tokens from their time with The Purple One, she said.
  Escovedo connected with Scott after Maya and Nandy McClean, better known as The Twinz,  mutual friends of the two, recommended she call him. The Twinz told her Scott was very down to earth and she did not think twice about getting in touch with him.
  “That boy is crazy!” she said. “I can't wait to meet him.”
  Escovedo said that she although her entire family relocated to Southern California, she never wanted to have the party anywhere but Oakland, her hometown, because, she appreciated all the love and loyalty her family received from their fans in the Bay Area.
  Fans may remember her being featured in the music video for Sheila E.'s single, “The Glamorous Life,” (1984) and she was mentioned in the song “Yellow" from Romance 1600 (1985). She has also been a mainstay at many of her family's shows assisting them in any way she can, including selling merchandise at their concerts. 
  Most of her life, she was usually in the background--which was never a bad thing-- and she  observed and came into contact with all kinds of musicians, she said.
  She added that she thought every kid lived like that.



  “It was very normal for me, so I didn't think much of it,” she said. “But, as I got older I started to realize how special (my) life was and what a blessing God had given me. It should not be taken for granted.”
  When she got older she said she would get correspondence from fans who were excited to realize that she was part of the Escovedo dynasty-- with some people even wondering why she had not told them that she was Sheila E.'s sister-- but, to her, they were always family members first, not stars. But, now she wants to share what she realized was a unique experience with as many people as possible.
  She said any future parties she hosts may or may not be Prince related--  audience demand will determine what themes her soirees will have and that she wants to plan events based on what type of emotional experience people wish to have during the course of a given night.
  Escovedo said that she looks forward to meeting all the people she has connected with through social media since announcing "It's Gonna Be a Beautiful Night" and had a personal message for everyone planning to attend:
  “Have fun, expect love (and) experience this special night in all that it has to bring,” she said. “Bring your dancing shoes and party like it's 1999!”

Tickets can be purchased on the E Music Party Web site.

Check out the “It's Gonna Be a Beautiful Night” Facebook event page here.

For more information on Pete Escovedo's birthday shows, visit yoshis.com.

Stay beautiful, Kristi

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All Photos courtesy of Zina Escovedo.

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Like us on Facebook: Dyes Got the Answers 2 Ur ?s and Beautiful Nights.





25 May 2013

International Lover: Marcus Scott Goes to Australia


  


  Beautiful Nights and Purple Funk (Australia) have teamed up to throw the ultimate Prince party.  
  W2AUS: The Prince Anniversary Party will take place 9 p.m. to 3 a.m. May 31 at The Hi-Fi, 125 Swanston St., Melbourne, Victoria, Australia. Marcus Scott, of Beautiful Nights in Chicago, will be the host. DJ Phil K and special guest DJ Philvester will be featured on the turntables all night long. Tickets are $25, plus a booking fee (AUD) and this is an 18 and over event.
  The night's theme will celebrate the one-year anniversary of Prince's Welcome 2 Australia Tour stop in Melbourne. Highlights will include, songs, concert footage and music videos from Prince and related artists; special cocktails; a “Sexy MF” contest (with three categories including “purple,” “Princely” and “sexy”), with prizes donated by Seattle Artist Troy Gua and a special performance by Scott.
  “This is a purple night that you are never going to forget,” said Party Organizer Sofie Hendrickse, who has been a Prince fan since 1981. “So 'let's get crazy! Let's get nuts!”
  The event was the brainchild of Hendrickse and Karen Parrish, both of Melbourne. The two met last year in Parrish's “Princepirations” Facebook Group which she started in May 2012 after seeing Prince on the Welcome 2 Australia Tour. This will be the first Prince party hosted in Melbourne, according to the pair.

Sofie Hendrickse

   Hendrickse said the idea was formulated when she made a comment on the page that she thought someone in Melbourne should throw a Prince party, as a way for local fans to “cope” with only seeing him in concert intermittently. She added that he has only been to Australia three times in the last 20 years: The Diamonds and Pearls Tour (1992); World Tour (2003) and Welcome 2 Australia Tour (2012). 
  She said Parrish, who has been a Prince fan for 33 years, joined in the online conversation and assured her that they could make it happen. The two had never met in person, but, not long after that exchange, they were on the telephone brainstorming and discussing ideas. They launched Purple Funk (Australia) as a business venture and “the rest is history.”
  Hendrickse added that his last stint in Oz left many fans with what she called “P.P.D.,” or “Post Prince Depression,” especially since he started touring the United States earlier this year.
  “Australia just can't get enough of Prince and...I was, and still am, on a 'purple high'” Parrish said. “I felt the best way to bring back the Prince magic was to gather our purple family together for one special night...”
  “Melbourne went into a frenzy” when Prince had his afterparty at the Hi-Fi last year. More than 5,000 people lined up to get inside, but, only 900, including Hendrickse, got in. While he did not perform that night, he did DJ for a bit (with DJ Rashida) and she got the chance to meet Cassandra O'Neal, who was then a keyboard player in Prince's band. When the ladies approached the club with the idea for a Prince party, the booker was very interested, Hendrickse said.
  They have promoted the event through the W2AUS Facebook event page, Twitter, the Purple Funk (Australia) Web site (purplefunk.org) and press releases to radio and print media. There has also been strong word of mouth in their local Prince community.
 In addition, there has also been a whirlwind of planning including hiring DJs and a photographer, selecting music videos, concert footage and music for the party, arranging accommodations for Scott and much more,said Hendrickse, who has past experience as an event manager.
  Parrish said it has been “months of hard work, late nights (and) networking,” but, that the response has been “fantastic.”
Karen Parrish

  As of this writing more than 580 people have responded to their event page to say they will attend the party and that although that figure does not represent everyone who has already purchased tickets, sales have been moving “very nicely,” Hendrickse said.
  "The fun part has been interacting with Prince fans on our event page, witnessing their excitement and feeling appreciated,” she said. “It's exciting to know that we are bringing everyone so much 'purple pleasure.'”
  The ladies met Scott online when he joined the Princepirations page, around the time he was planning the very first Beautiful Nights Prince party in Chicago, hosted by Maya and Nandy McClean, better known as The Twinz, who originally hail from Australia. The three began talking and they asked him if would be interested in hosting their Prince party in Australia. He readily agreed, Hendrickse said.
  Scott said he is grateful and honored that he was asked to host this party. He arrived on May 23 and will spend two weeks in Melbourne. He is looking forward to meeting a lots of new Prince fans at the party and sharing music and stories with them. He will perform a couple of times during the course of the night, but, that it will be “nothing extravagant.” He will focus on answering questions and taking pictures for anyone who is interested. His goal is to be a “respectful American representing Chicago.”
 He also said he's not going to the party to “be Prince” and that he hopes people don't expect to see him in ruffled shirts, high-waisted pants and a purple jacket. In fact, he has another role model in mind for the night's party --James Bond-- and said that watching a 007 movie recently inspired him to likely wear a tuxedo to the event.
  “I want to be a smooth operator,” he said.

Marcus Scott

  To add to the festivities, Scott will be celebrating his 36th birthday May 25 and the ladies arranged a gathering for him at the Blue Diamond to celebrate.
  He said that he is thrilled to spreading the Beautiful Nights message across the globe, but, he wants to let his stateside fans know that he hasn't forgotten them.
  “Since we had the first (Beautiful Nights party last November), I've been in high demand,” he said. “I'm going constantly going to all these different parties. I tell people they will just have to wait (for another Beautiful Nights party). There's only one me, (but), I haven't forgotten about the Chi.”
  He added that he hopes this bash will lead to more Prince parties in Melbourne.
  Parrish, on her part, hopes that this event will have even far more reaching effects.
  “This party will be so loud and so funky it will wake (Prince) in his boots wherever he may be,” she said. “We hope he hears us and returns to Oz. We are waiting!”


Tickets are still available at thehifi.com.au.
Visit the W2AUS: The Prince Anniversary Party event page at www.facebook.com/W2AUS.

Stay beautiful, Kristi

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Lead photo courtesy of Purple Funk (Australia). Design by Troy Gua.

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17 February 2013

The Question of U: Jill Jones Talks 2 Beautiful Nights



   

  When it comes to questions about her life and career, Jill Jones is not afraid to say what's on her mind.
  Jones met Prince in 1980, on the Dirty Mind Tour, when she was doing backing vocals for R&B legend Teena Marie, who was the opening act. She was already honing her chops and is listed as co-writer on two Teena Marie songs “Young Girl in Love” from the 1980 album Lady T and “The Ballad of Cradle Rob and Me” from It Must Be Magic, released in 1981.
  She later moved to Minneapolis around 1982 and worked with Prince in various capacities for more than 10 years. She eventually signed a contract with Prince's Paisley Park Record label and released a self-titled album in 1987. However, the release was not the success she had hoped for, with the album and all three singles failing to chart on either the U.S. Billboard Pop or R&B Charts.
  Jones and Prince started work on a second untitled Paisley Park album in the early 1990s, and three tracks were recorded:“My Baby Knows How to Love Me,” “Flesh and Blood” and “Boom Boom,” with a music video being shot for the last song. However, differences of opinion led to the plans for the second album being abandoned and Jones moved to New York to quietly let her contract with the record label expire in 1993.
  For many Prince fans she has left an inescapable legacy: her iconic voice can be heard on Prince songs such as “1999,” “Pop Life” and “Hello,” among many others; she was featured in two movies starring Prince, “Purple Rain” in 1984 and “Graffiti Bridge” in 1990 and she was memorably showcased in Prince's breakthrough video for  the single“1999” – wearing just lingerie and a captain's hat.
  She also did vocal work, sometimes uncredited, for associated artists albums' such as Apollonia 6, Vanity 6, Mazarati and more. It has also been said that she inspired Prince's “She's Always in My Hair,” which is the b-side of “Raspberry Beret,” one of his biggest hits.
  In addition, she has worked with other artists including Ryuchi Sakamoto, and Nile Rogers and Bernard Edwards, of Chic. She released her second album Two in 2000 and more recently in 2009, she released the dance music single “Living for the Weekend”.
  Jones recently agreed to speak with K Nicola Dyes for “Dyes Got the Answers 2 Ur ?s” by telephone in a free-form interview to reflect on her life and career in her own words:

  My childhood...half of my childhood was spent in Ohio where I lived with my grandparents. The other half my childhood was spent in LA, where I went to live with my mother and stepfather...


  My teenage years were surrounded by the music industry. My mom was with the Motown family. My stepfather was Fuller Gordy (brother of Motown Records Founder Berry Gordy). I had everybody's albums... I did not want for music in the house. Everybody was stimulating and creative...not really eating dinner at 6 o'clock so much.

  Teena Marie was the sister I never had. My mother was her manager and she lived in our house. She took me everywhere. We drove up the (California) coast. She took me to school. I hung out with her and her friends. She was very supportive of my craft and music. (She taught me to) get my own style. I could imitate Barbra Streisand perfectly. She taught me about songwriting. We would go up to the house and see Smokey (Robinson) and Marvin (Gaye). (It was) a one-of-a-kind lifestyle, especially coming from Ohio.

  Songwriting is the escape. The place where you can vent. The place where you can say anything you want, (that) you can't say in real life. You can work things out. Sometimes I just want to pay tribute to certain things and certain people. I've since taken up writing as well and I find that to be the same thing. Having things fictionalized a little bit helps.

  It all changed when I moved to California, because I originally wanted to get into law...the practical side of me always fancied being an attorney, because we had a family friend who was an attorney. When I came out here it brought out the creative side, it also brought out the competitive side, because I attended Beverly Hills High School. It really changed after touring with Teena, working with Rick James and touring with all those people.

  Rick James could be very sweet. He was very intelligent. Based upon the fact that he knew me when I was a teenager, he was always pushing education, always asking me why I wasn't in school. I would bring my friends to hang out at his house when I was supposed to be in school... My stepsister Iris Gordy was pretty instrumental in putting together his first album. Rick was a bigger-than-life person and he enjoyed being that way; that was his personality. After I started working with Prince, he would always take the piss out of me when he saw me...

  I met Prince on tour with Teena, on the Dirty Mind Tour. I think it was in Florida... We had left Rick (James') Tour and I was singing backing vocals for (Teena Marie).

  Life on the road... Oh, I love it! I love being in a different place everyday. I (didn't) have to clean, I barely packed. I didn't have a problem with being on the road.

Jill Jones on coming of age: I definitely got over any kind of hang ups. I'm not (going to be) rolling around with a lot of wrinkles on my face doing threesomes... I remember that being on tour, the old guys who would try to pick you up. And I'd be like “ yuck, he's 32!” and (my) mother is saying things like, “you know he has a jet.”


Jill Jones and Lisa Coleman in the music video for "1999"




  I learned so much... I don't know, I'm still learning so much... I learned a lot about being independent and about being overprotected because (when you're on tour) you are in a capsule and surrounded by a chosen few. I learned that even when you don't feel well, you still have to perform, but, once you're out there you feel a little bit better. I learned a lot about men on the road. I learned about women, too. They sold themselves really cheap. I do know that I learned a lot about how women can be and that everybody wants to be special... at least for one night... and learning that they may not be. It's a really bizarre situation...


  I used to think that Prince and I would have been friends during the duration, during our whole lives. Because we had a really strong friendship... You can be with people for 10, 12 years, it's phases of your life, you just close the book and you just put it on the shelf. So, it's so bizarre when people ask anything about him, it was just a phase in my life. It's nothing in particular, it's just my point of view of certain phase in my life. It's always in retrospect. I used to say, when I got older, if I was on the Swiss Alps and I was milking cows, there would be somebody that would come across the hill that asked about Prince!

  I've never tried...Ooh, let me think for a second. Let me think. I've never tried... parasailing? (Laughing). I would say skydiving. Never tried that. I've never tried on a size 4 shoe. I've tried on a size 5. I guess some of those crazy things like jumping out of a plane...I've never drunk dialed President Obama.

  I don't understand why the political arguments going on today, are the same ones that were going on when Abe Lincoln was president. I don't understand why (there are) Republicans, who are broke as shit, who don't want a minimum wage increase. I don't get the Republican mentality when people are broke! I don't understand how best friends can go out with your exes...

  I hate when people ask, oh, I don't know if I hate anything anyone asks me. I guess it's okay people for to ask me, I just don't have to answer. I think that when people ask your age, they associate that with your demise and what they think you should be doing. I think when you're newly married,  people shouldn't ask when you're having kids. Because you don't know what their deal is and I think it's personal.

  People would be surprised that I have a really, really crazy temper. Maybe they wouldn't be surprised at a hot temper. They would be surprised to know that I am trying to learn German right now. My husband is German and (the language) is really, really hard. People would be surprised to know that I want to live in Germany.

  I love my family. I love that the universe has given me many opportunities to have a family. Even going back (to being) on tour I liked having a family. I adore my husband, when I was getting married I just looked at him and I thought "what took you so long to get to here?" I love that everyone gets along. My family. My cats and all my pets that I've ever had.

Jill Jones on Tipper Gore (and the Parents Music Resource Center): Tipper Gore was on our ass. (MTV) banned my video ( for the single "Mia Bocca"). They would only play it in the middle of the night, at 3 am... She directly impacted my life, she actually did in a weird way...


  My first album was a very long pregnancy, good God, it took so long get out. It was a really ace album, but, the timing was way off. I don't think everyone was ready for it. Radio wasn't looking for it. There's a rap convention in Atlanta that I went to and people came up to me saying “you're Black? I didn't know you were Black! I would've played your record.” I just came back to Prince, like, “should I just get a tan?” White people somehow knew I was Black and they said “I'm not playing that house Negro on the radio.”
  The album was dead in the water. Then, I went to a function and I think I was crying. A Warner Brothers executive (Rob Dickens, CEO of Warner Brothers UK) saw me and he put money into the project to do promotion in Europe. We made the (music) video (for the single "Mia Bocca")...They (Europeans) always liked Josephine Baker, that whole thing always worked. I was discriminated against in my own country. I opened for Jody Watley in LA and, seriously, the crowd just stood there whole time with their arms crossed. I was angry dancing. I was singing “G-Spot” and I was like “I'm not going to shake my ass.” I know (on past tours) I would go out in my bra and panties, but, then I put on my trench coat and I'd leave. I just threw the mike down and walked off the stage. Prince came to me and said “is that it, are you done?” Maybe he created the diva in me.
  I think the album was a very intellectual album. We made a decision to take a lot of the poppy songs off. Once Clare Fisher puts the strings on it... I wanted to leave them on... That's where I sealed my fate to never have a hit record...(Prince) could have given me "The Glamorous Life". Sheila E. would come to the studio to play basketball and I did not know that the child was going in (to the studio) late at night and singing the songs...

  The second album... My mother passed away in '95. When she was diagnosed in cancer in '94, I had a deal with London Records. Steve Fargnoli hooked me up with them. My contract expired with Prince in 1993 on April 15... which I remember because it was seven years to the day. When my mom passed...I didn't want to sing. I don't think I handled it as professionally as I should have. I wrote a letter to my manager that said “You're just too busy going through the corporate world, because you don't know what the fuck you're doing.” And I faxed it. And we were dropped... I (later) recorded (the album Two) with Chris Bruce and it was cathartic. I had a new boyfriend at the time and that was a nightmare. (I) just had to get it all out. That record came and it was supposed to come. (The song) "Gorgeous Wonder" is about my daughter and she just saved me in so many ways. I just ended up going into interior design through friends. It was very trying and tricky. I remember (one time) that I was bartending and the RZA (from the Wu-Tang Clan) came in and said “you're Jill Jones” and I was like “No, I don't understand” and I pretended like I was French. Don't let your pride swallow you up...because that is a mistake. Everything's fixable and your good friends would never make you feel bad about it...

  True friendship...learning a lot about it. I don't know what it is. I think it's the intimacy that I have with (some) people, but, it's always tested. People disappoint you. I know I tolerate a lot of other people's mistakes. I don't know. Honestly, I don't know what to say.

  I want to know how to stop over analyzing and to kind of just not take things so personally anymore.

  Can I? What does that mean, can I? Now it's at the point of why can't I?

  I wish that I did not see so many homeless people and that they had their own home. I wish that the bankers that perpetrated all this fraud would be prosecuted and in jail for a long time. I wish good health to all my friends and family. I wish everybody had health care...

  Ten yearsTen Years (emphasis added). Wasted. Yeah, ten years wasted. And I don't think fondly of these ten years, the ten years that I'm thinking of... But, I got a good song out of it.

  My musical influences, this is the thing, I hate that question...Of course David Bowie, of course Led Zeppelin, of course Billie Holiday. Even Barbra Streisand. To me Prince was a great influence...Ryuchi Sakamoto. Classical pieces. I just love Rachmaninoff. I love Radiohead. I love Fiona Apple...I love people who are actually just a little bit themselves. They have hitches and flaws...





Jill Jones on the unfinished second Paisley Park album: We (Jones and Prince) were kind of were at two different roads. The song (“Boom Boom”) was from 1982 and it seemed forced. He kept remixing it. I went to do the video, but, it was late, it was too late. And I just ended up going back to New York, got married and waited until my contract expired. During this time he called me-- and I was at a friend's house-- and said, "you don't have any charisma, you should dye your hair black and you need to get breast implants like Brigitte Nielsen." I was furious... Dickens (CEO of Warner Brothers UK) was instrumental at one point with Roger Davies, my manager, when we were trying to complete my second album alone. Without Prince. But, Prince rejected every attempt we tried.

  I've done a lot of interesting pieces of material. I've done many internal journeys, spiritual journeys...I can do a lot of things, I'm curious, everyone would be surprised by that. I've done crocheting and I have also done knitting.

  The music business is not the same as it used to be...it's worse. The music business is now just isolated by a few of the old guard and they are just picking at it like vultures. They have reduced people to this value and it's disgusting...The music business is full of spineless people who are getting 20 to 25 percent of these kids' money for licensing and merchandising...Have you looked at how many plays you need to get on Spotify just to make $3,000? What is crazy is that they were doing this back in my day. They made money on the vinyl and they made money on the plastic. But, you know, here we are.

  Pop stars can be boring. They are boring nowadays. I mean, American pop stars are boring. I love the Brits. I don't know if anybody really wants to have good content anymore. Maybe it's generational. I think it's superficial. It's synthesized. It's synthetic. They're equally as processed as the food in the grocery stores...it's synthetic and processed and it's fake.

  Nowadays, people are just in flux. Things are suspended. Nowadays, everyone has had a big pill that has them in a coma. People don't have any verve, they've just lost it. Nowadays, I don't think people go out to gigs a lot, live performances, they don't really watch them.

  My mother...amazing lady. Strong, sensitive, compassionate. But, she let a lot of people walk all over her, unfortunately, and she was a lot more forgiving than I was.

  My father... I don't know him. I had two conversations with him on the phone. When I was younger I cared, but, now I don't care anymore. I got over my daddy issues a long time ago, but, that was in God's hands and I think that worked out. He had a really salty character that might have impacted me. I think we were touring and I called my father and Prince said you should never call him again. And I said, you're right, he wouldn't even come to the show. He was just a sperm donor.

  The future...God willing, I will learn more. I will be doing a new album which I'm working on now. I want to be busy doing things. I want to be open to being more creative. I'm more interested in film things behind the scenes. I don't know, we'll see. Right now I am wrapping up a Dance album.



Jill Jones and Marcus Scott of Beautiful Nights




Check out the video for "Mia Bocca" here:




Check out the unreleased video for "Boom Boom" here:



Stay beautiful, Kristi

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