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Showing posts with label Tribute. Show all posts
Showing posts with label Tribute. Show all posts

23 April 2016

Forever in My Life: The Final Post


At the Chanhassen Inn before the Piano & a Microphone Gala at Paisley Park

Prince Rogers Nelson changed my life.
Although I did not become a fan until I was a teenager, his music had always been in the background of my everyday life: I heard his music on the radio, Purple Rain was often on TV and I used to go through my mother’s record collection and look at her 12” Purple Rain single on vinyl (that was actually purple and I later had it made into a purse). But, it wasn’t until my best friend, Kamika Wallace, bought the Purple Rain Soundtrack from Columbia House CD club (when you could get 12 CDs for $0.01). We played the shit out of that CD, especially “The Beautiful Ones,” “Computer Blue”,” Darling Nikki” and, of course, “Purple Rain.” But, I went a step further and bought The Hits/The B-Sides and that changed everything.The first full-length album that I bought after that was Prince (1979) and from there I was hooked. Little did I know that Prince's songs would take me on an 18-year musical odyssey that suddenly came to a halt when he died on April 21.


The Stats
Fan since: 1998
Favorite Song: Moonbeam Levels
Favorite Album: The Gold Experience
Least Favorite Song: Sometimes it Snows in April. I always thought that song was super depressing…now I know why.
Least Favorite Album: Batman Soundtrack…I tried though.
Favorite Lyric: “Damned if I don’t hit that, wait right there I’ll be right back.”
What I’ll miss the most: no more live shows.

The Beginning
As corny as it might sound, listening to Prince’s music made me feel like it was okay to be different. I’ve always been a person who marched to my own drummer and was always super juiced about stuff that most people found boring. My interests ran the gamut from classic movies (including silent ones), old TV sitcoms (shout out to "Bosom Buddies" and "The Facts of Life") and old show business biographies. I guess I was trying really hard to stand out, which is difficult when you attend a performing arts high school, but I did. Yet, Prince’s music spoke to me; it connected with something deep down in my soul.  His lyrics communicated my individuality to others in a way that I could not. By announcing myself a Prince aficionado (not a fan, mind you, as I researched The Purple One and his music like I was trying to earn a degree), I let the world know that I was daring not to downgrade myself to the musical tastes of my peers. You would never hear Jennifer Lopez, Britney Spears, The Backstreet Boys, Sisqo, DMX or anyone of that ilk in my Discman.
This might seem like a no brainer now, but I became a Prince fan when I was 15, in 1998, and Prince was not really considered universally cool at that time. Don’t get me wrong, people respected his talent and musicianship, but I think there were many who felt his time had passed. Besides, a lot of people felt it was hard to take a man seriously who legally changed his name to an unpronounceable symbol. But, what did they know? I was fiercely loyal to this man who had touched me—to the point of driving my friends and family crazy. I did find one kindred spirit at school, Donald, whom I had known in middle school. He was kind of a loner, but he genuinely liked Prince just as much as I did. I remember he gave me a birthday card where he wrote out the lyrics to Nothing Compares 2 U and he even gave me his mom’s old Controversy poster, (the one where Prince is in the shower in his bikini underwear with a crucifix in the background) which I still have to this day. I tried to integrate Prince’s music into every aspect of my life: I did a presentation on The Time in my music survey class, I tried desperately to get someone to decorate my high school graduation  gown so it said “Lovesexy” down the right sleeve (and failed) and I used Prince lyrics as my high school yearbook quote. Later, there were times when I had to give Prince’s music a “break” and I gravitated toward other artists, especially during my first years of college, but Prince was always lurking in the background.

The Memories
While I was catching the bus to and from the University of Washington Thursday, I could only smile to myself as random memories kept popping into my head: I laughed when I thought about my friend who informed me that I blew out his car speakers when he let me play the Controversy album when we went out; I remembered how sad I was when my aunt and I went to visit Paisley Park during Prince: A Celebration in 2000 and we could not get inside because all the day tickets were sold out (and I almost started crying); I cringed when I remembered how I overdrew my bank account to buy my friend and I tickets to an aftershow that Prince did in Seattle in 2011…and ended up getting fired from my job two weeks later. I remember that I flew from Illinois to Minneapolis for the so-called "Purple Olympics" in July 2007, where Prince played three concerts in one day. Before I left, I told my editor at the Daily Herald, Mike Smith, that I was going and he spent a few minutes with me brainstorming on a way for me to cover the concert for the paper. Of course, we could not come up with a legit reason for a Suburban Chicago paper to cover a Prince concert in Minnesota...but we tried.

The Influences
Prince changed the way I listened to music; once I became a Prince fan, I became an album listener. When I started liking him, I was buying most of his catalogue at used music store--on tape mind you--and I was able to get albums for very cheap. On top of that, the bus ride to school was an hour and nobody was trying to sit on MUNI fast forwarding and rewinding a tape, so I just ended up listing to entire albums. Granted, there were still some songs that I skipped (sorry "Sometimes it Snows in April" and "When We’re Dancing Close and Slow" fans), but I listened to the albums all the way through at least once. From then on, I decided that if I was going to buy any album, especially those expensive CDs, there better be some quality music on at least 80 percent of the album.
Prince also influenced the type of music I listened to: I became more partial to singer/songwriter/producers. I also started to lean more toward R&B that had some rock elements to it; I became avid fans of Teena Marie, Babyface/The Deele, Klymaxx/Bernadette Cooper, DeBarge (who don’t get enough credit as talented songwriters), Switch (same as the former), Jesse Johnson and more recently Billy Joel, Duran Duran and Barry Manilow. I sought the music of powerhouse singers and entertainers like Barbra Streisand, Donna Summer and Michael Jackson/The Jacksons/Jermaine Jackson. This is not to mention all the associated artists albums and bootlegs that I purchased/borrowed/downloaded over the years. I would go as far to say that Prince made me enthusiastic about listening to music in general; and I didn’t just listen to it, I immersed myself in it, analyzed it, digested it and applied it to every emotional aspect of my life. The amount of song lyrics I have stored in my head today scares even me.






Stage at 2013 Billboard Music Awards



The Blog
 I like to say that Marcus Scott brought me out of retirement to start this blog. When he called me in 2012, I had not written anything professionally in more than three years and I was working in the hospitality industry. The Great Recession had shot down my dreams of being an entertainment reporter and I was still a little bitter that my life had not turned out the way I wanted. Marcus said he was starting a new Prince group, Beautiful Nights, that would have a presence on Facebook and throw Prince parties in the Chicago area. He wanted it to have an accompanying blog and he wanted me to be the exclusive writer. He told me that I had to do this and he thought of me after coming across some newspaper clips I had randomly mailed him a few years before; to sweeten the deal, he told me that he would even be able to hook me up with an interview with The Twinz (Maya and Nandy McClean, Prince’s former backup singers/dancers). I figured I did not have anything to lose so I said yes.  Besides, how do you turn down someone who has that much faith in you? I had limited knowledge about blogging and digital media, but I just had to fake it until I could make it.
My first interview actually ended up being with him, talking about his past as a Prince impersonator and the Beautiful Nights group. The page views came in a trickle at first—even the later interview with The Twinz was not really widely read. Things picked up when I posted a video interview with Seattle-based artist Troy Gua (who created Le Petit Prince), but it was not until I started sharing my interviews on Prince.org (shout out) that I started getting a lot more traffic. Things only picked up from there, with the popular interviews garnering several thousand page views. I got to the chance to interview (and be interviewed by) the infamous C.J. and she also featured me in her Minneapolis Star Tribune column twice. I remember the thrill I felt when talking to Susannah Melvoin on the telephone and her suggesting that we get together for lunch to do the interview; that was before she realized I lived in Seattle and she lived in California. I also enjoyed doing simpler stories where I talked to avid fans: like the four-part "My Love is Forever" series, where I collected anecdotes from people who had been Prince fans since he released his first album in 1978; and talking to Jesse Jenkins, a young fan who was handpicked by Prince to premiere the single “Live Out Loud” and was later personally invited by Prince to attend his SXSW performance and meet him after the show. I remember St. Paul Peterson and Jill Jones being hilarious and Cat Glover being so open and full of energy. My favorite interview, however, was the one I did with T.C. Ellis and getting to hear about the High School for Recording Arts, which he founded in St. Paul. Another thing that was awe inspiring was the fact that there were other Prince fans who wanted me to succeed and volunteered to help me. I would be remiss if I did not mention-- in addition to Marcus-- Tamiko Umoren, Duane Tudahl, Morris Mills and Erica Thompson—who all helped me procure interviews with people who once worked with Prince.
I stopped writing on this blog about a year and a half ago when I went back to school.  It was not because I didn’t love doing it anymore, but trying to procure, schedule and do the interviews (as well as transcribing the audio and actually writing the stories) just became too time consuming. In fact,  the last interview I posted with Howard Bloom in 2014 took me more than a month to complete. In the interim I have received a second Bachelor’s Degree and I am now working on a Master’s Degree. But, I regularly check the stats on the page, clicking through old stories and wondering what might have been if I had been able to continue on. When Prince passed away, however, I finally realized how pointless it is to reflect on what might have been when I could clearly see what I had actually accomplished: I convinced my friend, Elke Hautala, to take a road trip to Boise, ID to do a video interview with Gayle Chapman, which in turn led to us organizing a concert for her in Seattle six months later. I also got to write review when Prince's Live Out Loud Tour with 3rd Eye Girl came to Seattle and I was in the house at the MGM Grand in Las Vegas when he was honored at the Billboard Music Awards. Furthermore, I was told by a good source that Prince actually read one of the stories on my blog. To think that this man, whose poster I use to stare at in my bedroom as a teenager and dream about meeting one day, was actually aware of something that I had done was incredible. I’m not sure if it is true or not, but it’s a nice thought. I have been coming back to the Web site regularly the past couple of days, as I was preparing this story. It went from 75 page views on Wednesday to more than 4,400 views Thursday. It is interesting to see that people are actually reading it again, but I would trade all those views if it would bring Prince back.




 The Music
It’s funny how certain songs can take you back to a specific moment in time: Every time I hear "Moonbeam Levels," I’m back in my old car in Sonora, CA and still a newspaper reporter driving from the office to an interview for some story or other (like when I covered the theatrical group at a state prison in Jamestown, CA or was it that thrilling story I wrote about the many uses for zucchini?); when I hear “The Most Beautiful Girl in the World,” I think about the morning after I slept with this guy I used to really like and he sang this song to me—and in case you were wondering, the falsetto was on point; the entire Planet Earth album transports me right back to the Western Suburbs of Chicago, particularly St. Charles, IL. It was my first time away from home and I had just moved there to do an internship at the now defunct Kane County Bureau of the Daily Herald. I remember driving to the Super Target near the office when that bad boy opened at 7 a.m., so I could be one of the first people to have the album when it was released.
I still remember when Kamika and I went to massive Amoeba Records in San Francisco on a Prince album dig and I found The Black Album on tape. We were still rocking our Walkmans then, but top of the line ones that actually had rewind buttons on them. We had this thing where we would each listen to a Prince album on the way home and report back to each other what the jams were on it. She picked the Black Album and, to this day, every time I listen to the “Bob George,” I can picture her on the bus, nodding her head, and pausing the tape to tell me after the song was over that this joint was the “new Erotic City” (what she really meant was that the song was hella funky). She turned me on to some gems: “Bambi,” “Eye Hate U” and she even tried to get me to like “Into the Light” from the often-maligned Chaos and Disorder album (but it took another ten or so years for that to happen). When I hear “Betcha By Golly Wow” or “Purple Rain,” I remember that we used to carry around an analog tape recorder and we used to make copies of us singing Prince songs with her throwing in spontaneous ad-libs—the best being on “Purple Rain” where she said “Never wanted to be your weekend lover, I only wanted to be your lover during the week.” When I hear “Sexy MF,” I remember the time one of my relatives let me play my Hits Volume II CD while they were setting up at a family barbecue and when the chorus of the song came on my cousin got incensed and demanded that I turn it off because of the cursing (despite the fact that the song "Head" had just finished playing not long before and no one said a word). Lastly, I remember that the very first CD I played in the studio apartment I live in now was LotusFlow3r and how proud I felt at that moment that I finally had my own place in Downtown Seattle.





The Gifts

             Over the years I have received some cherished Prince-related gifts from friends:
The first one is a framed charcoal drawing of Prince that a friend of mine drew for me andwas           a gift on my 29th birthday. What really made it so cool was that he gave it to me right before               we went to go see a Prince concert at the Tacoma Dome in December 2011.
      
The summer I did my internship at the Daily Herald in 2007 was the same year that the Chicago Bears went to the Super Bowl and Prince did the halftime show. The paper, of course, sent writers and photographers down to Miami. My going away present at the end of my stint there was two framed photographs that Rick, the bureau photo editor, had taken himself during the halftime show. One was Prince by himself and the other was him with The Twinz.
  
My grandmother's late second husband, Errol, worked as a banquet waiter in some of San Francisco's best hotels for many years. In the early 1990s, when he was working at the Clift Hotel, Prince came to town on a tour. When I was in high school (around 1998), at the height of my Prince madness, he gave me this very small jar of honey that had a black label with gold letters that said: “Prince, Scandalous Sex Suite, featuring Kim Basinger.” Errol later told me that someone working with Prince had given it to him. He had kept it on his dresser all that time until he gave it to me. I had it on my dresser from that moment all the way through college, when I left home to accept the internship. I left that jar of honey behind and have not seen it since. In my Mother’s haste to clean out my old room-- so my younger brother could move in-- a LOT of things came up missing and that was one of them. When I came home three months later to get my things, I could not find it. I asked her about it and she acted like she had no clue what I was talking about. I eventually forgave her and moved on, but, I am getting a small twinge of sadness just writing about it now.
    
When I was in high school, my friend and classmate, Salvador Santana gave me a purple hand towel emblazoned with gold symbols; he said that his father, Carlos, had gotten it directly from Prince. I loved this towel and it has hung on the wall in every apartment I have lived in since then. I just recently bought a frame for it, as I did not think it was getting the reverence it deserved.



Marcus Scott and I at a Morris Day and the Time concert


The Friends
There are so many people I would not have met, but for being Prince fan. There are way too many to name, but these are some of the most important people:

  • I met Natasha White-Smallwood in 1999, when I was 17 years old and we were both working at Old Navy in San Francisco. She saw me in the break room one afternoon reading Dance Music Sex Romance: The First Decade by Per Nilsen. She rushed over to me and wanted to know where I bought the book. We started talking about Prince and the rest is history; she has become one of my best friends over the last 17 years and the first person I called when I found out about Prince.
  • I met Marcus Scott at a party thrown by Mone Baker in 2007 in Chicago. This is when I was living in Aurora, IL and working at the Daily Herald. I got invited to the party because a mutual friend who was living in California was connected to the Chicago Prince Crew that attended the now-defunct monthly Prince parties that were held at Club Berlin. I stayed in touch with Marcus over the years—on and off—which inevitably lead up to him pitching the blog idea to me. Mone is the one who actually invited me to move up to Seattle from San Francisco and I stayed with her until I got on my feet. Needless to say, that move changed the course of my life. 
  • I also got to spend some casual time with some of the people I interviewed and talk to them about topics other than their work with Prince. I spent an entire weekend with Gayle Chapman, when she came to Seattle for the concert Elke and I organized for her. I also got to be photographed by the fabulous Steve Parke when I took a trip to Baltimore. They were both very wonderful experiences. 



The concerts
I saw Prince in concert 17 times-- the first time at the University of Minnesota, Minneapolis when I was 17 years old. We just got barely got there, as the concert tickets went on sale in Central Time and my stupid alarm did not go off, resulting me waking up 30 minutes late. I got my aunt and I two tickets in the very last row (I used to always say that if we had been any further back we would have been outside). But, we were there. My favorite concert experience took place when I made the trek to the Rio in Las Vegas when Prince was doing the 3121 residency at the hotel. I went four times, the first time with my ex-boyfriend, whom I had to beg to go with me for my birthday; but, the second time I went alone and I since it was a GA show, I got there six hours early to make sure I got a good spot.
I ended up right in front of the stage! I was very enthusiastic and of course I knew the words to all the songs. Let me just say that there was no moment more thrilling than when, during the show, Prince reached down and grabbed both my hands, sort of dancing with me from the stage. I’m pretty sure I momentarily lost all sense of reason because the next thing I knew I had climbed onstage. Luckily, he did not have security to come tackle me or have me ejected from the venue, so I guess it was okay; and for two or three magical minutes it was just me and Prince dancing together onstage. I’m sure it was a curious sight—me at 6’2” and Prince nearly a foot shorter--doing the Bump. But, being in that close proximity to Prince is surely a moment that I will never forget.
Immediately after that concert he did an aftershow at the 3121 Jazz Cuisine, a fine dining restaurant that was part of the 3121 experience. Since it was January, pretty much everyone was able to get into the “Jazz Room” an intimate part of the restaurant that only seated about 50 people. I remember that while his band played a set, he came out to the seated area and handed out a Jehovah’s Witness publication (I think it may have been Awake! Magazine, but I’m not sure). It was so interesting to see Prince proselytizing (or witnessing) at this own show. Then about an hour later, he was fronting the band and played a funky set for us, right there in that small room. It was a surreal experience and, honestly, I never told anyone about it, because I was not sure if people would believe me. I went to another concert the very next night and I was in the front again, but I stood at a different spot near the stage. Yet, at one point during the show, he came over to where I was, playing the guitar, smiled and gave me “the nod.” I remember being so happy that he actually remembered me. I saw at least ten more concerts after that, but none of them compared to the feelings I had from those two that weekend.



The Last Time
I did get to see Prince one last time at the Piano & a Microphone Gala Event at Paisley Park in January. I almost didn’t go, as it was only announced a few weeks beforehand and I had just plunked down an ungodly sum of money on a trip to New Orleans and a Platinum Ticket for a meet and greet with Barry Manilow and front row seats at his show. But, at the end of last year, I had decided that going to Paisley Park was on my bucket list and, after that debacle in 2000, I was definitely going to make it happen in 2016. When the show was announced, I inquired to see if my co-worker would switch her days off with me and she said she would, no problem. I booked the hotel and the flight, but a week later, I got cold feet, worried that I was spending way too much money, and cancelled them. However, when a video released online showing how they were remodeling Paisley Park for the big event, I had a charge of heart, fearful that I would be missing something special. So, I rebooked the hotel and flight (thank God for Southwest Airlines) and, when the tickets went on sale I was able to get one with ease, which as my fellow die-hard Prince fans know was not always the case, so I knew this trip was meant to be.
The trip to Minnesota was a bit stressful, but once I got there, I knew I made the right decision. Even up to that night I was still a little anxious, even more so with the confusion trying to get into Paisley Park for the second show at 10 p.m. Once I got inside, most of the people in VIP had already been there for the first show, so they had claimed their spots. The floor immediately in front of the stage was strewn with pillows, but there was no open spot for me to sit down. Finally, I just decided that I would sit on the floor. There was kind British gentleman sitting on a pillow next to the spot I had chosen and moved over a bit to give me room, inviting me to sit down.
I sat in front of the edge of stage right, but since Prince was playing a grand piano and not moving about the stage, it was hard to see him unless I was standing up. But, it didn’t matter. It was only important that I was able to hear him. It was wonderful to hear him play “The Ladder,” the beautifully spiritual ballad that I never thought I would hear live. I just took advantage of the moment, sitting in the dark on the floor—by this time I had a pillow—with no lighting except from the back screen and a few lit candles on the stage. I just closed my eyes and let myself be in the moment, quietly singing the lyrics from a long-ago Prince favorite to myself. Despite the fact that I was at a concert, I felt myself transported back in time, laying in my bed in the dark, listening to the Around the World in a Day album with one lit candle. It was surreal. But, Prince also had a way of mixing it up, so he alternately had us stand up while he jammed on "Kiss" and "I Wanna Be Your Lover." Granted, I did miss some of the most talked-about moments of the evening (like when he became overcome with emotion at one point in the evening and briefly left the stage) because of where I was sitting. But, I was just so happy to be in the house, after being turned away years earlier, that it didn’t matter. The night flew by so fast and I was a bit disappointed that he didn’t do an encore, but once I got back to the hotel, at nearly 2 a.m., I remembered that I was getting old and I had to fly back to Seattle the following day and work the graveyard shift once I got back home. So, although I did want more, I was grateful that Prince made it possible for me to get a full night’s sleep. I woke up glowing and got excited at that the thought that he might bring this tour on the road so I could see it again. There was no way I could have known that was the last time I was ever going to see him. I can only hope that one day I will inspire others as much as Prince inspired me.


Stay Beautiful, always, Kristi


21 December 2012

Sign o' the Times (Disc 2): K Nicola reviews Seattle's Tribute to Prince


This is Part II of a two-part story:


Courtesy of Ticketweb.com

“It's a bit of a humbling experience to cover a Prince song. Because, really, you can't do it like Prince.” -Gavin Guss

Gavin Guss, photo by Elke Hautala
“U Got the Look” by Gavin Guss
  This was, by far the most interesting performance of the night. It was done as a solo, not as a duet, with an
all-male band. But, honestly, I don't think Sheena Easton's soulful vocals and or Prince's androgynous “Camille” vocals would have a place in this version of the song. 
  The band took what is easily one of the funkiest grooves on the album and turned it into a straight rock and roll song. Now what kind of rock song, I can't tell you. I heard some parts that sounded like late 60s rock and others that sounded like Seattle's most famous export: grunge music. He did this one pose and hit a guitar riff that, I swear to God, reminded me of Chuck Berry circa 1955. Or maybe not. I'm not well-versed enough to tell you for sure and it's hard enough just trying to describe this genre-defying song. In roughly four to five minutes this song took you so many places that, as a listener, you were just trying to keep up. I thought it was a great tribute to a genre-defying artist like Prince.
  “It's a bit of a humbling experience to cover a Prince song,” Guss said before his set. “Because, really, you can't do it like Prince.”
  So, I guess he just decided to make the song his own. I appreciate the effort and I think Prince would, too.

“If I Was Your Girlfriend” by Strong Suit
  This, like all the other songs of the evening, was heavy on the electric guitars, but, I loved it. A lot of those keyboard grooves were doubled the guitar and I thought it sounded great. There was some great ad-libs by the lead singer and at the end and a really nice drum solo. There was a extended jam at the end where they really got the crowd involved.
  The band got together and only had “one and a half” rehearsals before performing that night, said Keith, the band's bassist after his set. And the band actually chose that song to perform.
  “We all love that song, that whole album,” he said. “Our singer chose that song, (it was) the first one, off the top of his head.

Eldridge Gravy, photo by Elke Hautala
“Strange Relationship” by Eldrige Gravy
This performance was definitely funky! The fact that it was done as a duet gave the already deep song an even deeper meaning. (Side note: I would love to hear Prince do this as a duet now). The lead singers were great, very soulful (probably the most soulful act all night). I love this song and I was definitely digging their version of it.

“I Could Never Take the Place of Your Man” by To The Glorious Lonely
Michelle Speir, a Prince fan in the audience described their performance as the “goth metal version” of the song. Maybe. It definitely didn't have the light pop feel of the original, it was much heavier, punk I would say, and I felt like they powered right through it. I'm not really sure how to describe their version of the song, and I thought Speir's description was interesting, so I'm going to stick with that.


Kim, of Lazy Susan, photo by Elke Hautala
“The Cross” by Lazy Susan
  This song was done by a female vocalist and, again, did not stray wildly from the original. There was plenty of kick drum in those first verses and her subtle emotion in her voice lent itself greatly to the song's very quiet opening. But, once the guitars and drums kicked in on the second part of the song, it was on.
  Her voice came across as being filled with rage at the conditions she is describing in the song, whereas, I always felt that Prince's vocals on the album were filled a strong sense of urgency (or maybe it was sublimated rage I wasn't capable of understanding).         At this point the band was playing with urgency and abandon. I loved it. The song's length was not as compact and to the point as the original, as there were several guitar solos throughout the song. There was no harmonies at the end, but, a nice, clean rock and roll finish with lots of guitar riffs and drums.

“It's Gonna Be a Beautiful Night” by Aaron Daniel
Aaron Daniel, photo by Elke Hautala
This performance was super ambitious. This guy came out, alone, with a guitar and a machine where he had pre-recorded background vocals, a drum beat and, I don't know if he had an actual vocoder, but, he there was something that altered his voice that made it sound like he had one. I'm standing in the audience thinking “where's the band?” but, decided to give it a chance.
  When you hear this song on the album it's a JAM. Lots of horns, banging drums, keyboards, layered vocals. It would have been hard to duplicate that, because Tractor Tavern is a very intimate setting. I like how this guy just came out solo like “I'm about to do this.” He was an amazing guitar player and also got the crowd involved. Since there was no backing band for the “confusion” segment at the end of the song, when he yelled “confusion” he just cued the crowd to go crazy. It was pretty cool. My one complaint is that it was hard to hear his vocals over everything that going on.
  The only thing missing was Sheila E.'s very fun and very funky “Transmississippi Rap” (which I spent weeks trying to learn in high school). But, if he would have been able to do that on top of everything else, I would have expected him to walk on water next...just saying.

Amsterdam, photo by Elke Hautala
“Adore” by Amsterdam
  This is arguably the best song on the album, in my opinion, and I had high expectations for whatever band decided tackled it.
  When Amsterdam hit the stage, I wasn't disappointed. They had a trumpet and saxophone player-- first brass instruments I had seen all night -- the drummer had on his 1999 T-Shirt and the female vocalist just stepped up to the mic and looked like she was ready to throw down.
  She had the chops-- with the falsetto right on point— and she knew all the lyrics (which I appreciated). However, she was a bit overpowered by the brass section of the band and toward the end of the song her voice got a little lost in the music. This, like Strange Relationship was the most faithful interpretation of the Prince's original and there was little room for error. I feel that the band more than rose to the challenge.
  It was fitting finale to a great tribute.

-K

 For more information on MusiCares visit www.grammy.org/musicares. Check out Elke Hautala's video of the event  here:

Stay beautiful, Kristi

--

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Sign o' the Times (Disc 1): K Nicola reviews Seattle's Tribute to Prince


  

Courtesy of Ticketweb.com


“It's a bit of a humbling experience to cover a Prince song. Because, really, you can't do it like Prince.” -Gavin Guss


  Some of the best bands in the Emerald City paid tribute to the Purple One last weekend.
  I attended the 10th Annual Double Album Christmas Benefit on December 15 at Seattle's Tractor Tavern. This year's album was Sign o' the Times by Prince, where the entire album was played live and in sequence by local bands. All the proceeds from the concert benefited MusiCares, a foundation that gives assistance to musicians in times of need, according to the organization's Web site.
  I am a working stiff, however, and couldn't get the day off to prepare myself to witness this epic undertaking. So, I missed the opening of the concert with Sign o' the Times and Play in the Sunshine (thank you, King County Metro and, for the record, the new D-Line bus to Ballard sucks). However, I did arrive just in time for Housequake, so that's where the review begins (I know, I'm sorry). I've divided this review into two parts, just like the CD, to make it more palatable for my readers:

“Housequake” by Judd Wasserman
Judd Wasserman, photo by Elke Hautala
   Of course, the sped-up “Camille” vocals were missing, but, for anyone who's seen Prince in concert, where Prince sings this in his natural voice, it doesn't lessen the impact of this jam.
  The only thing missing was the brass, which is all over this song on the album, but, this group more than made up for it with some slammin' electric guitar solos. What they lacked in instrumentation, they more than made up for with funk. I will concede that it would not have satisfied some Prince purists, but, I thought they did well with the band they had. The drummer was in the pocket and they rode that groove all the way to the very end of the song with high energy. The vocalist was sounded great, but, I felt like he could have been more on point with the lyrics.

“The Ballad of Dorothy Parker”
  In my humble opinion, it would have been impossible to get the super-stripped down sound of the album version live. The band did not try to do that and I think it worked to their advantage. This song, again, was heavy on the guitar, bass and drums, like most of the songs of the night were, but, it sounded great. There was another searing guitar solo in the middle of the song and I thought the vocalist was good, too. Really held his own in what I think is a difficult song to sing.

Shawn Smith. photo by Elke Hautala
“It” by Shawn Smith
  I have to admit that I have never been a fan of this song. But, I did enjoy this version of it. His blues/rock version of the song is not far off the mark of Prince's original, and hearing it live added something that made it more enjoyable. Michelle Speir, an avid Prince fan like myself, described his look and music as “ZZ Top meets Prince,”and I would agree. Only much cooler.

“Starfish and Coffee” by the Scott Summers Quartet
  This was pretty true to the original, with the exception that it was sung as a duet with a man and woman. It sounded very good and it looked like the band was having a lot of fun doing it.

Julia Massey, photo by Elke Hautala


“Slow Love” by The Glass Notes
  The band stayed pretty true to the original song, but, there were some parts, in my opinion, that sounded a little more bluesy. The guitar solos in the middle were kicking (just for the record, I may say that several more times, since I didn't hear one bad guitar solo all night). The best part in my opinion was the raw emotion in the lead singer's vocals and you could see that everyone in the band was really feeling the song.
Prince Fan David Schwartz, photo by Elke Hautala
Keyboardist Julia Massey, who fronts her own band Julia Massey and the 5 Finger Discount, sat in with The Glass Notes on this song. She was asked to play with the band just days before the event and practiced with the band twice before performing Saturday night. She said when she was first recruited she wasn't familiar with the song or the album, but, she had a great time playing on stage.
  “I think I am like most kids who grew up in the 80s, I know the hits backwards and forwards,” Massey said. “I'm happy I have a whole lifetime to unpack...everything he's produced. He's so prolific..”


“Hot Thing” by Lucky Girl
  This band took the stripped-down funk jam and turned into a rollicking “punk-rock groove, with rock and roll solos” as lead singer Kathy Moore described it.
Kathy Moore, photo by Elke Hautala
  If you are at all familiar with the song, it is almost unrecognizable. Moore's smoky vocals gave the song an edge. Unlike the album cut, which has a long instrumental at the end, this song ended when the lyrics did, save for a few guitar solos in the middle.
  As I listened to them play the song, I wondered was there any significance that this particular song, an homage to a very sexy woman, was sang by female vocalist.
  “Well you know, to be honest I was powering through it and not thinking about the lyrics,” Moore said, after her set.

Prince fans Michelle Speir and Ken Iliffe, photo by Elke Hautala
“Forever in My Life” by Shawn Smith
  This is another song on the album that I have never been particularly fond of. Not because there is anything wrong with it, but, I guess it just has not touched me in a special place yet...whatever that means. With this song, just like with “It,” he had me groovin'. I also felt he gave this song a blues/rock feel and the vocals were powerful and he more than did this Prince cut justice.

-K





For more information on MusiCares visit www.grammy.org/musicares. Check out Elke Hautala's video of the event here:



Stay beautiful, Kristi
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